Being the daughter of a minister, it's no surprise that
Oleta Adams' roots are in gospel, as she often performed in her father's church. But her formal introduction to the masses began rather unexpectedly. While performing in a Kansas City hotel,
Oleta Adams was discovered by
Curt Smith and
Roland Orzabal of
Tears for Fears, and she was invited to participate in the recording of the British band's follow-up to the immensely popular 1985 album
Songs From the Big Chair. When
Tears for Fears unleashed the long-awaited
The Seeds of Love in 1989, listeners were taken aback by the soulful female voice that was prominently featured on the album. Her vocal contributions to
The Seeds of Love helped it generate generally positive reviews. In 1990,
Tears for Fears'
Roland Orzabal and
Seeds of Love producer
Dave Bascombe produced
Oleta Adams' debut release,
Circle of One. One of the album's standout tracks was a stunningly performed rendition of "Get Here," written and originally performed by
Brenda Russell. Whereas
Russell's version was a bit on the cutesy side,
Adams virtually reinvented the song as an aching, gospel-tinged ballad. "Get Here" soared into the Top Ten, and the single's success helped
Circle of One achieve gold status.
When
Oleta Adams' second album,
Evolution, was released in 1993, she inched closer toward the adult contemporary ballad schlock that has plagued such gifted vocalists as
Anita Baker. Despite ample production from
Stewart Levine (
Patti LaBelle,
Simply Red) and
Oleta Adams' vocal prowess, generally weak material marred the album, though it included a stirring version of
Billy Joel's "New York State of Mind." Released in 1995,
Movin' On attempted a more R&B approach, but too much outside input made it a disjointed affair. The album boasted credits from producers, including
Vassal Benford (
Mariah Carey,
Toni Braxton),
Michael J. Powell (
Anita Baker,
James Ingram), and
Alan Rich and
Jud J. Friedman (
Whitney Houston), but again the songs were weak, and the slick production undermined the raw intensity of
Adams' always glorious vocals. The religious album
Come Walk with Me followed in 1995, and she returned to R&B with 2001's
All the Love. I Can't Live a Day Without You appeared from Wave Records in 2004, followed five years later by
Let's Stay Here on Koch Records.
–
William Cooper, Rovi